Tim Wu claims in The Master Switch, “mediocrity safely begets mediocrity: behold the true miracle of the modern entertainment industry” (237). I believe that this is a valid claim. The idea of the lone inventor has disappeared and been replaced with businesses focused on profit maximization. “By the twenty-first century, film would become much less predominantly a business of storytelling than it had been, and much more a species of advertisement, an exposure strategy for the underlying intellectual property” (231). With characters as intellectual property, a film can be viewed as an advertisement for that product. For instance, the movie Transformers is an advertisement for the comic books, toys, and video games all based on the characters in the movie. These characters are now not restricted to the movie theater and can even end up as a toy in a child’s Happy Meal. This profit maximizing technique of having movies be advertisement makes for mediocrity, as, “unlike a patent, a character copyright doesn’t require proof that you’ve invented something or affected a real innovation- minimal creativity will do.” (231) No longer is the drive behind movies ingenuity, but instead it is money.
Without inventiveness as the purposeful of producing a film, mediocrity has taken over. For example, the producers of a flop like Evan Almighty remain unscathed because they are financial secure. In contrast, when Michael Cimino produced Heaven’s Gate, also a terrible movie, in 1980 he was banished from the film industry (236). Money is power and these large companies are in ultimate control of the industry. The turn in the cycle is that now films are no longer a creative outlet, but instead referred to as products and forms of advertisement. The resulting absence of risk taking inventors has made the film industry mediocre. Average movies produces average results. Without the pressure to produce a movie that will be a hit, film industries rely on mediocrity.
This mediocrity can be viewed as a “miracle” from the eyes of Cimino as the entertainment industry is safe from any types of “bombs” like the movie Heaven’s Gate. However, this is not everyone’s definition of a miracle. The “miracle” is financial stability, but some would argue a sense of creativeness in the entertainment industry is more valuable than any sum of money.
I really think the quote you used at the beginning summarizes what the movie industry has become. Your post clearly shows what film studios produce nowadays all for the ultimate purpose of making money. However, it might not be only the absence of risks that has led to this situation. No matter what, we will never be able to say for sure what movie will be a hit. Wu makes a very interesting claim: “With any given entertainment product – as compared with, say, socks or beer – one is faced with selling something people don’t ultimately need; they have to want it”(221). So, while it is true that the movie industry tries to control what movies we watch, should we – the large audience – not be blamed for what is happening now in the entertainment world. After all, we do have a choice to see a movie or not, to buy a Transformer toy or not…
ReplyDeleteI was bored on a plane once, and Transformers came on. I recall thinking that the film reminded me not of a great SF concept, but of two men standing 20 feet apart and hurling open tool boxes at each other. It was easily the worst film I'd seen in years.
ReplyDeleteAnd yet we had a sequel.
I'm sure Heaven's Gate is awful too, but I want to see it now. Sadly, the United Artists' model could not, as Wu shows us, handle a bomb. Yet that studio produced some of the best films of the 20th Century from directors like Scorsese and Coppola. If Taxi Driver or the first Godfather could even be made today, they'd be more mass market films. Tragedy.
The irony for me is that great creative work is getting done. It's getting done in a mass medium.
The medium, one I disdained for decades, is television. But The Sopranos or Madmen stand up to repeated watching, and by all accounts (I've yet to see it) Battlestar Galactica presented the sort of dark and serious SF that has not been around for decades.
It's certainly not the junkyard war that Transformers turned out to be.